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Welcome back, everyone, to 3-D model, a Hobbit doll scene with Blendr two point nine and Adobe Photoshop,

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and this is where we left it off.

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So now we'll actually finish this call.

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So if you click anywhere outside of here, you'll see you get this.

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We don't want not all we need to do is press the escape one and then that will actually put this like

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that with no actual line going around it.

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And all you need to do now is just come over to this actual great part of this layer here.

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Right.

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Click and just pull restaurateur's left and then that will be fixed in place now and you can actually

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use it.

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Now there is something else.

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I am using this as an actual reference and drawing my own version of a hummingbird and an actual flower

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bowl.

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If you want to actually grab this hummingbird and actually put that within here, all you need to do

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is come back to the top with this circle on press control.

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They once you've copied it and you'll end up with your hummingbird here and then just come in.

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Click on this mutal, grubby bed press controlled state and then just bring it out so it actually fits

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the size of this circle here.

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Now, what you can also do is if you come down to, say, the bottom here, hold the ship on down.

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Well, there is actually stretch out for you.

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And this then makes it easier for you to actually put it in place on the circle.

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And we can also rotate it if we need to.

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So you can see now that it's in place and if I press the button now and then come over to where the

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bird is, which is this layer here, and bring down the opacity to something pretty low, you can see

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now that you're able to actually draw over the top of this on an overlay.

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Now, I'm not actually going to do it that way, so I'm going to delete this out the way.

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So I click on this president, leak the lead out of the way, and then I'm actually going to draw it

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from this reference.

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So I'm actually going to draw like I set my own version of this.

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So I tend to do before I actually draw out the main lines is I'll do a pretty rough sketch of what I

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actually want.

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So if I come over now to the left on side, you'll see one that's called broche.

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So click on your brushtail, come up to where you've got this little circle here and what you want it

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to be on is hard round.

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Basically what that means is, is going to give you a very hard edge.

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And that is great when we send it through a blender and turning this into an actual SPG.

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Next thing you want to do is make sure that Smoothen is set down to zero.

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I don't want any moving on while I'm actually creating the rough sketch of my home in bed.

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So now we've got that.

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Let's come over now and create a new layer of this possible and create a new layer.

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And now I'm going to draw on this.

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So I've got my tablet and my pen and then I'm going to just start creating.

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The other thing is, of course, just make sure that this is an actual black, of course, so that when

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we draw people down the way.

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Click on it.

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It's going to be black like so the other thing is when I tend to make my sketch, I make my actual brush

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size a bit smaller than the way it's going to be when actually create the lines, fall the stained glass.

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So if you look on your keyboard, you've got some brackets and you can turn those down a note and that

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base will make the brush had much smaller.

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So now you can see it can actually draw like this.

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Now, just to get rid of that, you can control that to go back or you can press the button and that

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will bring in the actual eraser.

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Or you can come over to the left hand side and you'll see the eraser board is here.

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So you can just go over and that will actually get rid of that.

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All right.

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So let's get started.

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So we're going to be OK over to the broche, which is over here, and that's start actually drawing

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this out.

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So the first thing I'm going to do is just get the scale of my actual bird to fit where it's going to

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be within this actual circle.

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So I want this tail to come right at the edge pretty much of.

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My circle full my door frame, so I'm going to and it does and it can be pretty rough when you're doing

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this.

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The main thing is just to get in the right dimensions for the bit.

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So don't worry.

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And this is exactly why we are doing.

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This pretty roughly to start with, so now not going to work out where all my wings to go, so I want

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them to come up here and then go round to hear something like that.

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Now, let's bring in this top wing.

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We'll bring that up to the edge again.

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And then let's bring this down.

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Something like that, which will fit the body in to the other side, maybe it bends in a little.

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All right.

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So I'm pretty much happy with that.

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I'm pretty much happy with with this part here.

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So maybe these needs come in.

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So I'm going to proceed and I'm just going to erase those a little bit and just do this a little bit.

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Need to be let's just make them something like that.

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And I can see they fit much better.

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And where will the eye is?

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I want the eye somewhere around here, somewhere to put that in and then just decide how long and where

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you want the beak.

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And now we're going to do to create the actual flower.

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So I'm going to start.

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Trades in the flower.

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Something like this, and let's go to this side.

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Something like this, and then let's do the top part of the flower.

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So and then finally, just this bit that we won't be able to see, much of which bring that back there.

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And now let's bring in.

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So we'll bring them in here.

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And then let's also just had a nice leaf.

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So maybe we'll put a halfway point on the recipe just to get rid of that, and now I'm looking to do

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now I've actually got the outline is look where I'm going to have the stained glass, actual pots going.

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So I think on the actual wing, I want to pass out one pot like this, one pot like this.

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I want to press it again and just get rid of this line.

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I really don't need it that.

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So and now we need to actually bring in these parts of the wing, so if I bring the line here, let's

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say one here, one here and finally one here and now let's do the same.

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So we've got four lines.

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So let's try and get the top wing four lines as well.

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So one, two, three, four, something like that.

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And now let's decide where we're going to bring the line from.

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So I think from the bottom of the beak going through the eye down to the bottom of the wing and fuller

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in this round.

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And then I think we'll have another one go into these feathers.

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So we'll have it coming from just this point here and coming down to the actual feathers there and then

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going round and finishing up at the top.

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And then these can actually be split apart as they are already.

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And then we'll have this as one island.

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This is one island.

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And I think I'm pretty much happy with that.

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The one thing that I do want to do is just bring these out a little bit just so look a bit more rounded

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than they are.

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So let's bring these out a little bit as well.

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Something like this, you can say that we've got a bottom one, so we just need to put this in as well.

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Like so now with this, I have enough there enough information that to actually draw this out now into

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a complete division.

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So I'm looking at just making sure I'm happy with everything.

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And then what I'll do is I'll come over then to the post and click on the post to bring me a new canvas,

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come to the lab I've just created and just put down the opposite, say something fairly low where I

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can just actually see it.

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Now I'm going to go back to the new lab and make sure I've got my brush on.

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I'm going to come over then to my move in.

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I'm going to put it on something like 90 percent, something like that.

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And then what you'll notice is when actually, Drew, it actually is really easy now to make nice,

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beautiful lines.

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I'm also going to tell my brush size up just a little bit, and now I'm going to start creating these

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lines.

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So if I bring it in like so.

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So and now you can see all you need to do is just follow the work that you've actually done.

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I'm trying to leave a little bit of an edge on here, because I know this is where the outside's going

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to go.

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And the main thing that you want to focus on here is making sure that all these lines actually talk.

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So if I bring this up now, like so, then you can say that they're not quite touching.

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Now, the straighter and smoother these lines are is directly going to be transferred into the SVG.

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So just that I might somehow bring this down.

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And let's now concentrate on the head of my hummingbird all the way down to its be so.

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And now let's try and do the outline going into the actual head round the wing, so and let's try now,

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given my homing hummingbird is I and now let's go home and give him the top part of his body, like.

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So I need to bring this now all the way through here.

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And down and you can see that looking really nice and smooth, and that is exactly what we're going

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for.

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Now let's give him his tail.

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Bring it round.

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Well.

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And then these small feathers, so.

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And the more you do this, the better you will get with it.

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Now let's do the body.

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So had to be like someone that's like him around the rather nice.

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OK, so now let's split these wings up a little bit.

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So we'll give one poll here a lot with Pigtown.

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One point here.

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So now let's head to these little Gruzdev.

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So I'm going to start from these groups and go down and then this one.

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So now let's come to the other wing.

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So, again, starting from.

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Where these little girls are, it makes it a bit easier, I find.

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So.

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Like, sir.

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All right, so I'm really happy with that.

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And now let's start on actual flower.

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So I'm going to start on this leafier.

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I don't want to actually touch my beat, as you can see, I just made it so not quite touching it.

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Now, let's put the center of the flower in, so and it's also important just to remember to leave yourself

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just a little bit of room so you can see here.

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I want to actually close this book off.

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And I want this to actually be I don't actually want this to be a call.

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I just want it to be the solid metal.

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So I'm just going to come up and just close off.

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So there's no point on that.

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All right.

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So now let's do this a little like so.

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From around.

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The back one go going through.

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Around.

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So.

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Nice and flowing, as you can see.

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And now let's do this then.

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Don't worry, if you go over this line, that's perfectly fine.

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And now let's do this.

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So nice and flowing again.

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And then at some point going down, it looks OK.

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So I think I'm very, very happy with without this is you might want to put another leaves in there

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or something like that.

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Well, I think I'm actually happy with it now.

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The next thing I want to do is I want to hide this one behind it.

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So I'm going to click on this on here.

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And you'll see now it's been hidden.

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And now on today's just straight into any of these lines that I'm not happy with.

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As you can see here, this line here I'm not quite happy with.

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So I'm going to press E I want to make my brush a little bit smaller.

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This is the eraser now, and I'm just going to go clean these lines just a little bit because you can

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see in some places that just overlap in that tiny bit.

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Just you can see that when a little bit too far.

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So I'm just going to press control that and just clean it up very, very gently and look in here.

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Do it while not touching a little bit more.

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I think it should be OK.

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I'm just looking at the rest of it.

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Do I want this quite so much?

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I don't think so.

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So I think I'm just going to chop it and then just smooth it off.

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Like so and now obviously I need a actual ball going around it to finish off the actual effect, it's

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also worth thinking about.

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Do you actually want to split up this part here, which is going to be all sky?

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So do I want this touch in the actual ball?

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So let's bring in the ball first.

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So what we'll do is we'll come over to the left hand side.

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We'll click on this eclipse again and then one, which is I'm going to drag it out.

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I'm going to hold the shift on.

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And I'm going to do is I'm going to actually try and put this in actual place where it needs to go.

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Now, I am struggling a little bit to drag this out with my actual pen.

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So on Wednesdays, I'm just going to put my pen down and we use the mouse to actually do that.

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Sometimes that happens and is easier to use the mouse on some parts of it.

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So now I'm going to click drag, hold the board and just try and fit into this actual circle.

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So it's going around the outside.

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So I'm using shift and spaceball and just dragging it out and you can say nearly got it.

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That's bringing out a little bit like.

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So bring it in just that tiny bit and release.

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Let me just think about what it's doing and then we've go now at the top here, you can see you've got

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one that says, Phil, we don't want this filled.

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So we'll come up to there and click this bracket going through this.

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Why?

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It means actually it doesn't put anything in there.

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So it means it's empty.

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Now, let's come to where it says stroke.

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And if we turn the stroke up now, you will see.

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That when we put this on block, so this one here that we go now, you can see we've actually got Don

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and then I'm going to press control Z just to take that off.

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And now I've got my circle back.

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Now, look at the line thickness of how thick this is in comparison to this line going round.

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You can see here it's slightly touching.

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And I think I actually want them touching here.

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And the reason for that is I want to break all these islands.

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As you can see here, I would like different islands because that then means I will have different colors

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within my actual class.

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So once you're happy with this and then the same thickness, come over to the right side here, right.

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Click and go up to pressurize layer and then we go.

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Now, let's finish this off.

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I need to clean these up and I need to make sure that these are actually joining these parts going round.

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So, again, I'm going to come to my broche and again, I'm going to switch to my actual pen.

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And when you come in.

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And just make sure they're actually talking here like so.

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Here.

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And here and here and anywhere else, I'm thinking, I think that should be absolutely fine.

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Now, let's clean these up a bit so we'll press E again.

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I'm going to bring it down very, very slowly.

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And you can see that because this is on a different land.

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I need to come to this light here, which is this year.

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And then I can come in and look, I'm just minus those out of the way, and because I'm not drawing,

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I can go right up to the actual side and not have to worry about deleting this line.

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Now, one Champix with it, the next thing you need to do is you need to come over to the right hand

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side, grab your clips, shift, click your actual layette.

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Right.

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Click then and pull MessageLabs.

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You're going to move down like so now you can come down and actually hide the great box and you should

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be left with something like this.

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Now finished.

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I'm actually going to say you can even dockett or you can just close it like so.

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And then what we're going to do now is turn this into actual NSV.

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So I hope you enjoy creating that.

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And on the next lesson, what we'll do is actually change this sentence and bring it into blender.

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I know I really enjoy this part actually of the code, so I hope to see you on the next one.

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Thanks a lot, everyone.

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Bye bye.